I’m trying to get back on board with YA Highway’s Road Trip Wednesday’s. Considering the fact that I had spring break this month, and a decent reading list, I actually have an answer to this week’s prompt!
This Week’s Topic: What was the best book you read in March?
This month I had several fantastic reads. I hope to get the chance to write up something about them, because it was a great month for reading. Runner-ups include
Before I Fall, by Lauren Oliver
Neverwhere, by Neil Gaiman
Citizen of the Galaxy, by Robert Heinlein
I also have Prodigy, by Marie Lu on my TBR list, and I am halfway through I am the messenger, by Marcus Zusak. Both were books that I didn’t get a chance to read over spring break, and despite my astronomical school load, I can’t bear to send them back to the library without finishing them. In the war between reading books and getting schoolwork done, I think sleep is the losing party.
But what was the best one of March? That honor belongs to the incomparable Maggie Stiefvater, and her first book in the Raven Cycle, “The Raven Boys”
This. Read it. Now.
This book surprised me, more than anything. I wasn’t expecting to enjoy it–in fact, the only reason I picked it up was because The Scorpio Races was one of my favorite reads all last year.
I tend to not do well with complicated mythology/books that have to be explained to me. I dislike characters when they have to explain things in unrealistic ways because that’s how the author gets his/her exposition across to the reader. It kills a book to have a paragraphical explanation inserted into an otherwise-decent character because things have to be explained regardless of the appropriateness of the thing coming from the aforementioned character. Confused yet?
Because I was not. Maggie’s characters are far beyond “otherwise-decent.” She was able to get into the heads of four different characters, allowing the central mythology to be realistically explained from the various perspectives. I loved how we got a first-person viewpoint of the “corpse road” from Blue, and then gradual explanations of the “ley lines” from Gansey and Adam, resulting in the meshing of the different perspectives as you realized they were describing/interacting with the same thing.
I loved Maggie’s characters. Particularly as regards the four main boys and Blue, they were fifty shades of real. I loved how she was able to show how complicated Gansey was, and yet how he still came across as the quintessential rich boy from Blue’s perspective. It was a little surprising to have so much of Gansey explained from Adam’s perspective, but it worked because Gansey was still consistent as a character. I always had a hard time when an author would tell me about a character and then show them acting completely differently in other scenes. In this case, the tell-and-show is consistent; every action lined up perfectly with every description.
The only person this didn’t work with was Barrington Whelk. The tell-about-him sections gave the impression of a well-rounded character, and the writing from his viewpoint was suitably despairing, but I didn’t feel as much remorse for him at the end as I think I should have. He was set up as a three-dimensional character, but it sort of fell flat at the end. He wasn’t quite as engaging or dynamic as the main characters, or even any of the residents of 300 Fox Way–Maura, Persephone, Calla, and Neeve were all less-described characters who held their own as soon as they walked onto the page.
The town of Henrietta felt old and new at the same time, perfectly fitting the central mythology. Before I read the book I saw some complaints about the pacing; personally, I loved getting to know the characters so much that I never felt like it was dragging at any point. A lot is left open for the remaining books, but there is definite closure. There’s also the perfect, absolutely loaded last line that knocks you upside the head and reminds you that this is not over yet.
In case I haven’t gushed enough: the best part of this book is the five main characters. They are real, and no description I give can fully convey how true they are. Initially set up as line-item teens–the bad boy, the lurking shadow, the resentful sidekick, President Cell-Phone, and the odd girl out…each of them are far more than they seem. (Breakfast club, anyone?) The relationship between the boys is exactly the sort of closeness and complexity and dysfunctionality that it should be, and Blue is a perfect stand-your-ground character; she isn’t swallowed up by the pre-existing dynamics of the Raven Boys group.
So, go read it.
What’s your favorite book of March? If you’ve already read The Raven Boys, what did you think?